The Reverbophone
1 Mic. 1000 Sounds
Move air,
not algorithms.
Reverbophone is the reverberating microphone. It turns moving air into real, physical reverb—no DSP. Inside the unit, a large tensioned plate begins to vibrate as sound waves from your voice or instrument hit its surface.
Those vibrations are captured by two internal microphones mounted directly on the plate, picking up the complex motion and natural decay that the plate produces. The result is natural space and believable distance, from room to cathedral. Deep lows, smooth highs, powerful! Set the length. Record. Done.
Specification
The decay time is adjustable, ranging from a 0.1 s room to a 4–5 s hall via a simple lever. ( Can be adjusted with a optional remote unit)
The front side features a durable grille where the membrane picks up vibrations. The back side has the same grille with acoustic damping behind it, as well as the control panel.
The panel offers:
-
Two XLR outputs (L/R) that requires phantom power. A mono button that combines the outputs to one.
-
Sweepable high-pass filter (0–200 Hz).
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XLR input and volume control for use as a traditional plate reverb.
When used in traditional mode, the built-in amplifier and transducer drive the plate. Power is supplied via a 12–18 V DC adapter.
Specifications:
Height: 1710 mm
Width: 936 mm
Depth: 440 mm with wheels
Weight: 62 kg
Output: 2 XLR (L/R)
Input: 1 XLR
Output impedance: 440 ohm
Requirements: Micpreamp with phantom power.
Hand made in Hälsingland, Sweden
Avalible in four
different finishes
Remote
With the Reverbophone Remote you can dial in the perfect room size from the control room
The remote controls the length lever of the reverbophone so you can dial in the perfect room size from the control room.
Comes in two different colours. (honey oak and black oak)
The remote is connected to the reverbophone unit via 3pin XLR. So you can run the remote signal trough you regular mic lines.
One remote can control 2 reverbophone units.
Testimonials
David Kalmusky
Shawn Mendes, Keith Urban, Meghan Trainor
The Reverbophone has completely changed the level of record making I’m able to do in my small production space, I can carve on it to sound like some of the greatest rooms I’ve ever tracked in
Alex Höffken
Alice Merton, Michael Patrick Kelly, Namika, Mark Forster
Both my hopes and my first impression have been confirmed. The Reverbophone is a true game changer, and I would be surprised if it doesn't become a studio standard like the U47 mic in a few years!
Aaron Sterling
Taylor Swift, Harry Styles, Post Malone, Lana Del Rey
The Reverbophone is pure magic. It's a way of extending the size & depth of your room. It brings more length & more life to it in a way that does NOT feel like hardware or software. It’s incredible!
Mattias Eklund
Toontrack, studio farkosten
I always use the Reverbophone – an amazing reverb that reacts to the instrument in the room, not just a mic signal. It’s incredible. Check it out.
Fredrik Thordendal
Messuggah
I can´t imagine ever recording drums without them again
Simon Wolf
soilwork
it becomes a part of the source. The sound is clear and distinct at any volume, with a transparent quality that blends perfectly with the dry sound.
Daniel Bergstrand
In flames, Decapitated, Behemoth.
It sounds just like a couple of room mics in the best studio you have ever heard, they sound so real, it's unreal.